{"id":5512,"date":"2012-11-22T00:00:00","date_gmt":"2012-11-22T00:00:00","guid":{"rendered":"https:\/\/lafundicio.net\/noticia\/transductores-2\/"},"modified":"2012-11-22T00:00:00","modified_gmt":"2012-11-22T00:00:00","slug":"transductores-2","status":"publish","type":"noticia","link":"https:\/\/lafundicio.net\/en\/noticia\/transductores-2\/","title":{"rendered":"‘Transducers 2’"},"content":{"rendered":"

\"\"<\/a><\/p>\n

More little books: today<\/strong> the second publication of
\n
\n Transducers<\/strong>
\n <\/a>
\n<\/em> is presented. It will be at 12:00h<\/strong> in the Palace of the Counts of Gabia (Granada)<\/strong>. <\/p>\n

This second publication, edited by the Jos\u00e9 Guerrero Art Center<\/strong> <\/a>like the first, maintains the lines of study of the Transducers<\/em> project on collective pedagogies, but focusing on the context of the Spanish state.<\/p>\n

The book includes “thirteen networking initiatives that flexibly address artistic practice, political intervention, and education based on very diverse typologies and geographical contexts<\/em>,” according to its editors, Antonio Collados<\/strong> and
\n Javier Rodrigo<\/strong>
\n<\/a>, whom we take this opportunity to wish success in today’s presentation.<\/p>\n

Among the initiatives that appear in the book is
\n Zona Intrusa 3D<\/strong>
\n<\/em>, the “artistic (un)education” program that we devised with Oriol Fontdevila<\/strong> in several institutes in Matar\u00f3<\/strong> during the 2010-2011 academic year, commissioned by the Municipal Institute of Cultural Action<\/strong> of the city and with the collaboration of the center for creation and contemporary thought
\n Can Xalant<\/strong>
\n<\/a> (one of the latest victims of the cuts in culture about which, precisely Oriol Fontdevila, recently published this accurate article<\/a> in
\n a*desk<\/strong>
\n<\/a> -which was later complemented by this other<\/a> by
\n Jorge Luis Marzo<\/strong>
\n<\/a>-).<\/p>\n

The publication includes essays by Carmen M\u00f6rsch<\/strong>, Judit Vidiella<\/strong> and an interview with Enric Vilaplana<\/strong> and Rosa Artigal<\/strong>, in addition to an essay by the editors themselves.<\/p>\n

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