{"id":5313,"date":"2008-03-31T00:00:00","date_gmt":"2008-03-31T00:00:00","guid":{"rendered":"https:\/\/lafundicio.net\/noticia\/ciudad-de-vacaciones\/"},"modified":"2008-03-31T00:00:00","modified_gmt":"2008-03-31T00:00:00","slug":"ciudad-de-vacaciones","status":"publish","type":"noticia","link":"https:\/\/lafundicio.net\/en\/noticia\/ciudad-de-vacaciones\/","title":{"rendered":"Holiday City"},"content":{"rendered":"<p style=\"text-align:center;\"><a href=\"https:\/\/lafundicio.net\/wordpress\/wp-content\/uploads\/2008\/03\/home.jpg\" onclick=\"window.open('https:\/\/lafundicio.net\/wordpress\/wp-content\/uploads\/2008\/03\/home.jpg','popup','width=699,height=498,scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=yes,left=0,top=0');return false\"><\/a><br \/>\n<em>Family fever<\/em> Arabic version<\/p>\n<p style=\"text-align:justify;\"><strong>El Pa\u00eds<\/strong> published <a href=\"http:\/\/www.elpais.com\/articulo\/reportajes\/Abu\/Dabi\/propongo\/hacer\/algo\/grande\/faraonico\/elpepusocdmg\/20080330elpdmgrep_4\/Tes\" target=\"_blank\" rel=\"noopener\">this interview<\/a> yesterday with <strong>Thomas Krens<\/strong>, director of the <strong>Guggenheim<\/strong> museums, in which he explains his plans for the franchise in <strong>Abu Dhabi (United Arab Emirates)<\/strong>. We are entering a &#8220;pharaonic&#8221; dimension here that is quite beyond us, to be honest; even so, we couldn&#8217;t resist taking a peek and we saw that the &#8220;Guggenheim Abu Dhabi&#8221; will be built in the <g id=\"gid_5\">Cultural District<\/g> of <g id=\"gid_6\">Saadiyat Island<\/g> (&#8216;the island of happiness&#8217; in Arabic), a kind of hypertrophied, ultra-luxurious and cultured <g id=\"gid_7\"><br \/>\n  <g id=\"gid_8\">Marina d&#8217;Or<\/g><br \/>\n<\/g> that will begin construction in 2012. In addition to the new Guggenheim designed by <strong>Frank Gehry, <\/strong>of course<strong>,<\/strong> Saadiyat Island will also house franchises of the <strong>Louvre<\/strong> museum (designed by the <a href=\"http:\/\/www.elpais.com\/articulo\/cultura\/arquitecto\/frances\/Jean\/Nouvel\/gana\/premio\/Pritzker\/arquitectura\/elpepucul\/20080330elpepucul_1\/Tes\" target=\"_blank\" rel=\"noopener\">newly Pritzker Prize-winning<\/a> <strong><br \/>\n  <a href=\"http:\/\/www.elpais.com\/articulo\/cultura\/arquitecto\/frances\/Jean\/Nouvel\/gana\/premio\/Pritzker\/arquitectura\/elpepucul\/20080330elpepucul_1\/Tes\" target=\"_blank\" rel=\"noopener\">Jean<\/a><br \/>\n<\/strong>  <a href=\"http:\/\/www.elpais.com\/articulo\/cultura\/arquitecto\/frances\/Jean\/Nouvel\/gana\/premio\/Pritzker\/arquitectura\/elpepucul\/20080330elpepucul_1\/Tes\" target=\"_blank\" rel=\"noopener\"> <\/a><strong><br \/>\n  <a href=\"http:\/\/www.elpais.com\/articulo\/cultura\/arquitecto\/frances\/Jean\/Nouvel\/gana\/premio\/Pritzker\/arquitectura\/elpepucul\/20080330elpepucul_1\/Tes\" target=\"_blank\" rel=\"noopener\">Nouvel<\/a><br \/>\n<\/strong>) and universities such as <strong>Yale<\/strong> or the <strong>Sorbonne<\/strong>, as well as other cultural facilities designed by other star architects such as <strong>Zaha Hadid<\/strong> or <strong>Tadao Ando<\/strong>&#8230;<\/p>\n<p style=\"text-align:justify;\">Despite the title, <a href=\"http:\/\/architecturelab.wordpress.com\/2007\/08\/02\/buying-culture\/\" target=\"_blank\" rel=\"noopener\">this article<\/a> by <strong><br \/>\n  <a href=\"http:\/\/en.wikipedia.org\/wiki\/Zvika_Krieger\" target=\"_blank\" rel=\"noopener\">Zvika Krieger<\/a><br \/>\n<\/strong> published in <strong>Newsweek<\/strong> last year explains in a fairly objective way both the origin and development of the megaproject, as well as its repercussions and the controversies it has aroused, especially in the West. <\/p>\n<p style=\"text-align:justify;\">One of the things that we found most amusing about the whole affair is the intro to <a href=\"http:\/\/www.saadiyat.ae\/\" target=\"_blank\" rel=\"noopener\">the Saadiyat Island website<\/a>, uhm&#8230; perhaps it would be interesting to analyze that iconography from a postcolonial perspective&#8230;<\/p>\n","protected":false},"featured_media":0,"template":"","categories":[],"class_list":["post-5313","noticia","type-noticia","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lafundicio.net\/en\/wp-json\/wp\/v2\/noticia\/5313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lafundicio.net\/en\/wp-json\/wp\/v2\/noticia"}],"about":[{"href":"https:\/\/lafundicio.net\/en\/wp-json\/wp\/v2\/types\/noticia"}],"wp:attachment":[{"href":"https:\/\/lafundicio.net\/en\/wp-json\/wp\/v2\/media?parent=5313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lafundicio.net\/en\/wp-json\/wp\/v2\/categories?post=5313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}